фотокино - FOTOMOTO "CHAT" from Anna Bekerskaya on Vimeo.
In addition to the yesterdays post: Owen drag my attention to this article, about a completely contemporary Ukrainian music scene, that emerged around Orange Revolution (here), focusing on a band called Fotomoto, singing in French, that were the darlings of the late John Peel. Peel wasn't exactly right saying that they were completely isolated from the Western sound ("strange things happen to pop in isolation"). What allured him was the singing in French and dream-poppy atmosphere. The idea the East lives in isolation is another stereotype that is attractive for the West I guess. The musicians themselves say they feel a part of the global world, im sure that around 2004-5 all of them were highly networked! But a strange situation: you cant get their cds anywhere, for people who were capitvated by them via Peel, they remained an air-only ethereal phenomenon. But isn't it sound great, actually?
But another thing Peel says there seems fairly typical:
'Most music I get from eastern Europe tends to be rather grim metal stuff, not awfully good, and when you see the bands live - of course this is a gross generalisation - there's always a kind of cabaret approach. There's always someone in the band dressed as a clown or a monk, and the vocals are always terribly theatrical.' But what is bad about Theatrical exactly? Of course, I'm perfectly aware how bad in general metal bands may be, but that also complicated my thesis from yesterday, the singing in English/in your native speech thing. Because precisely, just think about all those very bad metal bands, or just the absolutely horrible/fascinating form of commercial pop everywhere (be it mutation of Europop - remember Eurodance? etc). they mostly sing in their respective languages.
here more spectacular examples.
She (they?) are singing in Russian (I envy you seeing it for the first time):
and she is singing in Polish (although I'd give a lot not to understand what about)
Doda, performing with her "band" elegantly called Virgin, is a proud Katie Price of Poland. Funnily enough she's a couple with a leader of the internationally known metal superband, Behemoth, maybe one of those John Peel was talking about. Also, you'd be curious to know, there's a massive form-content discrepancy, usually. I mean, what she sings about has nothing to do with the entourage. you'd think it's all porn & all, but what's probably even worse, these are attempts at lyrical poetry. yes.
and she is singing in French
eugh....
Also, one of the strangest phenomena of the beginning of 21st century: TaTu
All of them just wanted to be Madonna (rather re In Bed With Madonna than to focus her fine pop moments), or later, Lady Gaga, or emulate old times divas (P. Kass committs an unforgivable profanation of any idea of Edith Piaf, or Francoise Hardy, whenever she opens her mouth), but who actually knows what people responsible for Nikita had in mind.
It's not exactly how do you imagine national bards, is it? Nikita & Doda sing in Russian/ Polish, because there's a massive audience for that, which emerged in the strange post-capitalism times in UKR/PL, in a culture where even baring your tits in a Reality Tv seems simply not enough & being a criminalist is a cool & accepted way of life.
Some people like to watch celebrity shows or reality TV, others - read biographies of famous people or aristocratic families, others think that reading Kolakowski or the late pope JP2 will save them from all the atrocities of the world. In a way, there're no big differences between them.
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